Introduction: Adaptation, Transmedia Storytelling and Participatory Culture
Eckart Voigts and Pascal Nicklas
Articles in this issue include:
Para-adaptation: Or How I Learned to Stop Worrying and Love Convergence Culture
Sherlock Holmes and the Leap of Faith: The Forces of Fandom and Convergence in Adaptations of the Holmes and Watson Stories
Remixing Period Drama: The Fan Video and the Classic Novel Adaptation
Adaptation as an Open Process: Dahua Fandom and the Reception of A Chinese Odyssey
‘Following the Pattern’: The Creation of an Encyclopaedic Universe with Transmedia Storytelling
Transmedia Beckett: Come and Go and the Social Media Archive
Adapting Superhero Comics for the Big Screen: Subculture for the Masses
The Fidelity Game: Who Gets to Play?
About the journal
Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and ‘classic’ adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective.
For more information and to subscribe please visitwww.adaptation.oxfordjournals.org.